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Jesus saying farewell to his eleven remaining disciples, from the Maesta by Duccio, 1308–1311. In the New Testament, chapters 14–17 of the Gospel of John are known as the Farewell Discourse given by Jesus to eleven of his disciples immediately after the conclusion of the Last Supper in Jerusalem, the night before his crucifixion.
The painting shows the Last Judgement, with God the Father at the top centre and Jesus just below him. To Jesus' right is his mother the Virgin Mary and to his left is Moses, holding the tablets showing the Ten Commandments. Rising up the left-hand side of the painting (at Jesus' right hand) are the blessed, whilst the damned fall into hell on ...
Jesus giving the Farewell Discourse to his eleven remaining disciples after the Last Supper, from the Maestà by Duccio, c. 1310.. The New Commandment is a term used in Christianity to describe Jesus's commandment to "love one another" which, according to the Bible, was given as part of the final instructions to his disciples after the Last Supper had ended, [1] and after Judas Iscariot had ...
According to John P. Meier and E. P. Sanders, Jesus having a final meal with his disciples is almost beyond dispute among scholars, and belongs to the framework of the narrative of Jesus' life. [89] [90] I. Howard Marshall states that any doubt about the historicity of the Last Supper should be abandoned. [14]
The last episode, far less commonly shown, is the Farewell Discourse, the farewell of Jesus to his disciples. By this point Judas Iscariot is no longer present, having left the supper; it is mostly found in Italian trecento painting. The depictions here are generally melancholy, as Jesus prepares his disciples for his departure. [1]
In Christianity, the Great Commission is the instruction of the resurrected Jesus Christ to his disciples to spread the gospel to all the nations of the world. The Great Commission is outlined in Matthew 28:16–20, where on a mountain in Galilee Jesus calls on his followers to make disciples of and baptize all nations in the name of the Father, the Son, and the Holy Spirit.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...