Search results
Results From The WOW.Com Content Network
"Roses Are Red" is a love poem and children's rhyme with Roud Folk Song Index number 19798. [1] It has become a cliché for Valentine's Day, and has spawned multiple humorous and parodic variants. A modern standard version is: [2]
The Opies (folklorists) have argued for an identification of the original Bobby Shafto with a resident of Hollybrook, County Wicklow, Ireland, who died in 1737. [1] However, the tune derives from the earlier "Brave Willie Forster", found in the Henry Atkinson manuscript from the 1690s, [3] and the William Dixon manuscript, from the 1730s, both from north-east England; besides these early ...
If the words sound queer and funny to your ear, a little bit jumbled and jivey, Sing "Mares eat oats and does eat oats and little lambs eat ivy." [4] This hint allows the ear to translate the final line as "a kid'll eat ivy, too; wouldn't you?" [5] Milton Drake, one of the writers, said the song had been based on an English nursery rhyme ...
"Lavender's Blue" (also called "Lavender Blue") is an English folk song and nursery rhyme from the 17th century. Its Roud Folk Song Index number is 3483. It has been recorded in various forms and some pop versions have been hits in the U.S. and U.K. charts.
The best love poems offer respite and revivify; they remind me that I, too, love being alive. Soon the lilacs will bloom, but so briefly. Even more reason to seek them out and breathe in deep.
"That's What Love Is Made Of" is a 1964 hit song by Motown's original vocal group, the Miracles, issued on the label's Tamla records subsidiary. It was taken from the group's album Greatest Hits from the Beginning , but originally appeared on their abortive 1964 album, I Like It Like That .
Main Menu. News. News
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]