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Roman fresco with a banquet scene from the Casa dei Casti Amanti, Pompeii The Pompeian Styles are four periods which are distinguished in ancient Roman mural painting.They were originally delineated and described by the German archaeologist August Mau (1840–1909) from the excavation of wall paintings at Pompeii, which is one of the largest groups of surviving Roman frescoes.
Large-scale wall-paintings were much less regarded, crudely executed, and rarely mentioned in contemporary sources. They were probably seen as an inferior substitute for mosaic, which for the period must be considered a fine art, though in recent centuries mosaics have tended to be considered decorative.
Punishment of Ixion, House of the Vettii, Pompeii Painting in ancient Rome is a rather poorly understood aspect of Roman art, as there are few survivals, which are mostly wall-paintings from Pompeii, Herculaneum and other sites buried by the eruption of Mount Vesuvius in AD 79, where many decorative wall paintings were preserved under the ashes and hardened lava.
In sum, the range of samples is confined to only about 200 years out of the about 900 years of Roman history, [12] and of provincial and decorative paintings. Most of this wall painting was done using the a secco (dry) method, but some fresco paintings also existed in Roman times.
Warli painting murals are becoming a preferred mode of wall decor in India. Warli painting is an ancient Indian art form in which the tribal people used to depict different phases of their life on the walls of their mud houses.
The wall paintings of ancient Thera are famous frescoes discovered by Spyridon Marinatos at the excavations of Akrotiri on the Greek island of Santorini (or Thera). They are regarded as part of Minoan art , although the culture of Thera was somewhat different from that of Crete , and the political relationship between the two islands at the ...
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