Search results
Results From The WOW.Com Content Network
Act III, Scene 1. The search for Cinderella. No 39 The Prince and the Cobblers No 40 First Galop of the Prince No 41 Temptation No 42 Second Galop of the Prince No 43 Orientalia No 44 Third Galop of the Prince Act III, Scene 2. The Prince with Cinderella. No 45 Cinderella's Awakening No 46 The Morning After the Ball No 47 The Prince's Visit
Suite from Cinderella No. 1: 1946 108 Suite from Cinderella No. 2: 1946 109 Suite from Cinderella No. 3: 1946 110 Waltz Suite, six waltzes for orchestra 1946 111 Symphony No. 6 in E ♭ minor 1945–47 112 Symphony No. 4 in C major (revised version) 1947 113 Thirty Years, festive poem for orchestra 1947 114 Flourish, Mighty Land, cantata 1947 115
Sergei Prokofiev set about composing his Piano Concerto No. 1 in D-flat major, Op. 10, in 1911, and finished it the next year. The shortest of all his concertos, it is in one movement, about 15 minutes in duration, and dedicated to the “dreaded Tcherepnin .” [ 1 ]
The Symphony No. 1 in D major, Op. 25, also known as the Classical, was Sergei Prokofiev's first numbered symphony. He began to compose it in 1916 and completed it on September 10, 1917. [1] It was composed as a modern reinterpretation of the classical style of Joseph Haydn and Wolfgang Amadeus Mozart. The symphony's nickname was bestowed upon ...
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
Piano Concerto No. 1 refers to the first piano concerto published by one of a number of composers: Piano Concerto No. 1 (Bartók) (Sz. 83), by Béla Bartók Piano Concerto No. 1 (Beethoven) (Op. 15), by Ludwig van Beethoven
Season 1: Piña Colada. When you have a creamy, cold, and refreshing piña colada in your hand, life truly becomes a beach.
Sergei Prokofiev composed and compiled his Waltz Suite, Op. 110, during the Soviet Union's post-Great Patriotic War period of 1946–1947.. In creating this work for the concert hall, the composer drew upon waltzes previously written for three of his most recent works for the stage and screen: the opera War and Peace (completed circa 1943–1944 but not yet premiered at that time); the ballet ...