Search results
Results From The WOW.Com Content Network
Associated with the environmentalist musical counterculture of the previous decade, animal rights songs of the 1970s were influenced by the passage of animal protection laws and the 1975 book Animal Liberation. [1] Paul McCartney has cited John Lennon's Bungalow Bill, released in 1968, as among the first animal rights songs. [2]
The incorporation of bird song in music is one of the most widely studied forms of biomusic. Notable in this regard is the French composer Olivier Messiaen who began incorporating accurately transcribed bird songs into his music in 1952. One obstacle facing the use of bird songs in music is their complexity and usually very high register.
Environmentalism has been a theme and cultural trend in popular music. Ecomusicologists (musicologists and ethnomusicologists focusing on music and environmental issues) and music educators are increasingly emphasizing the intersections of music and nature, and the role of music in ecological activism.
It contains two songs written by Schickele and Diane Lampert, which were performed by vocalist Joan Baez: "Silent Running" and "Rejoice in the Sun". [5] The two songs were issued as a single by Decca (32890). An LP was released by Decca in 1972 (DL 7-9188) and later reissued by Varese Sarabande on black (STV-81072) and green (VC-81072) vinyl.
Songs about plants, trees, fruit and/or vegetables. Subcategories. This category has the following 3 subcategories, out of 3 total. C. Songs about cannabis (118 P) F.
"Earth Song" is a song by the American singer Michael Jackson. It was written by Jackson and produced by Jackson, David Foster and Bill Bottrell . It was released by Epic Records on November 7, 1995, as the third single from Jackson's ninth studio album, HIStory: Past, Present and Future, Book I (1995).
While written mostly by Stevie Wonder, some songs were collaborations with Syreeta Wright, Yvonne Wright, and Michael Sembello. Journey Through "The Secret Life of Plants" contained new synthesizer combinations, including the first use of a digital sampling synthesizer, the Computer Music Melodian, [2] used in most tracks of this album. [3]
Payne asked for and received copies of the recordings, and soon found that the songs repeated themselves. The shortest songs were about six minutes long, and the longest were over 30 minutes. They could be repeated continuously for up to 24 hours. When the sounds were graphed they displayed a definite structure. [clarification needed] [8]