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In poetry, internal rhyme, or middle rhyme, is rhyme that occurs within a single line of verse, or between internal phrases across multiple lines. [1] [2] By contrast, rhyme between line endings is known as end rhyme. Internal rhyme schemes can be denoted with spaces or commas between lines. For example, "ac,ac,ac" denotes a three-line poem ...
First and third lines have a feminine rhyme and the second and fourth lines have a masculine rhyme. A 1 abA 2 A 1 abA 2 – Two stanzas, where the first lines of both stanzas are exactly the same, and the last lines of both stanzas are the same. The second lines of the two stanzas are different, but rhyme at the end with the first and last lines.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
The typical combination of end-rhyme, internal rhyme and alliteration came originally from the example of late Latin hymns, as elaborated by Irish monks. The new metres are the vehicle for monastic lyric poems inspired by love of Nature, love of solitude and love of the Divine which have been described as the finest Irish poetry of their age ...
Stanzas 1, 2, 4, and 6 employ end rhyme in their second and fourth lines, but some of these are only close rhyme or eye rhyme. In the third stanza, there is no end rhyme, but "ring" in line 2 rhymes with "gazing" and "setting" in lines 3 and 4 respectively. Internal rhyme is scattered throughout.
A metrical and rhyming scheme dating to the Middle Ages and related to ballade forms. It consists of five eleven-line stanzas rhyming in the pattern ababccddedE, followed by an envoi rhyming in the pattern ddedE. There is also a refrain (as indicated by the capital letters) at the end of each stanza and including the last line of the envoi ...
Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at locations within lines ("internal rhyme"). Languages vary in the richness of their rhyming structures; Italian, for example, has a rich rhyming structure permitting maintenance of a limited set of rhymes throughout a lengthy poem.
Where the common unit of verse is based on meter or rhyme, the common unit of prose is purely grammatical, such as a sentence or paragraph. [4] Verse in the second sense is also used pejoratively in contrast to poetry to suggest work that is too pedestrian or too incompetent to be classed as poetry.