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Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post- World War II ideals of cutting excess, commodification , and practicality of materials in design heavily influenced the aesthetic of the furniture.
Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK. Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century.
Postmodern design, intersecting the Pop art movement, gained steam in the 1960s and 70s, promoted in the 80s by groups such as the Italy-based Memphis movement. Transitional furniture is intended to fill a place between Traditional and Modern tastes. [citation needed]
In 1995, the landscape architect and urban planner Tom Turner issued a book-length call for a post-postmodern turn in urban planning. [13] Turner criticizes the postmodern credo of "anything goes" and suggests that "the built environment professions are witnessing the gradual dawn of a post-Postmodernism that seeks to temper reason with faith."
Jean-François Lyotard, in Frederic Jameson's analysis, does not hold that there is a postmodern stage radically different from the period of high modernism; instead, postmodern discontent with this or that high modernist style is part of the experimentation of high modernism, giving birth to new modernisms.
Mid-century modern (MCM) is a movement in interior design, product design, graphic design, architecture and urban development that was present in all the world, but more popular in North America, Brazil and Europe from roughly 1945 to 1970 during the United States's post-World War II period.