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Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. [1]
Deconstructivism came to public notice with the 1982 Parc de la Villette architectural design competition, in particular the entry from Jacques Derrida and Peter Eisenman [3] and the winning entry by Bernard Tschumi, as well as the Museum of Modern Art’s 1988 Deconstructivist Architecture exhibition in New York, organized by Philip Johnson and Mark Wigley.
Memphis was born on the evening of December 11, 1980, when Sottsass invited a group of young designers and architects to discuss the future of design. [3] Together, they wanted to change the concept of what design had been focused on, which had been Modernism and aimed to do so by creating and forming a new design collective.
Chronologically the design movement that produced modern furniture design, began earlier than one might imagine. Many of its most recognizable personalities were born of the 19th or the very beginning of the 20th centuries. Walter Gropius 1883–1969; Lilly Reich 1885–1947; Ludwig Mies van der Rohe 1886–1969; Eileen Gray 1878–1976; Le ...
Postmodern art is a body of art movements that sought to contradict some aspects of modernism or some aspects that emerged or developed in its aftermath. In general, movements such as intermedia, installation art, conceptual art and multimedia, particularly involving video are described as postmodern.
His magnum opus, however, is the book The Language of Post-Modern Architecture, first published in 1977, and since running to seven editions [80] (in which he famously wrote: "Modern architecture died in St. Louis, Missouri, on 15 July 1972 at 3:32 p.m. (or thereabouts) when the infamous Pruitt–Igoe scheme, or rather several of its slab ...