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The museum is based in the Art Institute of Chicago Building in Chicago's Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat 's A Sunday on La Grande Jatte , Pablo Picasso 's The Old Guitarist , Edward Hopper 's Nighthawks , and Grant Wood 's American Gothic .
Stuckey, Charles F., Claude Monet 1840–1926, 1995, co-published by The Art Institute of Chicago and Thames and Hudson. Tucker, Paul Hayes, Monet in the '90s: The Series Paintings, 1989, Museum of Fine Arts, Boston in association with Yale University Press; Wildenstein, Daniel, Monet: or the Triumph of Impressionism, 2006, Taschen GmbH
Arrival of the Normandy Train, Gare Saint-Lazare, also known as The Railway Station of Saint Lazare in Paris, is a c. 1877 oil-on-canvas painting by Claude Monet. It is in the permanent collection of the Art Institute of Chicago. [1]
Today, the Gare Saint-Lazare paintings are scattered in institutions all over the world, including Musée d'Orsay, Fogg Art Museum, Art Institute of Chicago, National Gallery, Musée Marmottan Monet, Pola Museum of Art, Lower Saxony State Museum, and other private collections.
The paintings are on prominent display at museums all over the world, including the Musée Marmottan Monet, [5] the Musée d'Orsay in Paris, the Tate, the Metropolitan Museum of Art, Museum of Modern Art in New York, [6] the Art Institute of Chicago, [7] the Saint Louis Art Museum, [8] the Nelson-Atkins Museum of Art in Kansas City, Missouri ...
The Cliff Walk at Pourville is an 1882 painting by the French Impressionist painter Claude Monet. It currently resides at the Art Institute of Chicago. It is a landscape painting featuring two girls atop a cliff above the sea. The canvas was inspired by an extended stay at Pourville in 1882.
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Fine Arts Museums of San Francisco. "Monet in Normandy," June 17–September 17, 2006, no. 4. Cleveland Museum of Art. "Monet in Normandy," February 18–May 20, 2007, no. 4. London. Royal Academy of Arts. "Impressionists by the Sea," July 7–September 30, 2007, no. 33. Hartford. Wadsworth Atheneum Museum of Art.