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The word metaphor itself is a metaphor, coming from a Greek term meaning 'transference (of ownership)'. The user of a metaphor alters the reference of the word, "carrying" it from one semantic "realm" to another. The new meaning of the word might derive from an analogy between the two semantic realms, but also from other reasons such as the ...
A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g.,
Uses of figurative language, or figures of speech, can take multiple forms, such as simile, metaphor, hyperbole, and many others. [10] Merriam-Webster's Encyclopedia of Literature says that figurative language can be classified in five categories: resemblance or relationship, emphasis or understatement, figures of sound, verbal games, and errors.
American singer/songwriter Carolyne Mas has a song titled "King of the U-Turn" that uses an albatross as a metaphor. The rock band Chevelle uses albatross as a metaphor in the song "Face to the Floor". Demon Hunter uses albatross as a metaphor in the song "Cross to Bear". The band Erra uses albatross as a metaphor in the song "Dreamwalkers".
“The metaphor represents how depression does not take breaks but may feel like a following shadow — a large, lumbering shadow as loyal as a canine. At its inception, though, the black dog was ...
Third rail of politics – Metaphor for "untouchable" issues; Unsaid – Term referring to a social behaviour; Voldemort effect, a term popularized by Majid Nawaz with similar meaning; White elephant – Idiom for impractical possessions that are expensive to maintain but cannot be disposed of
Klein's use of the metaphor centers on the moral nature of certain predictions, which tends to evoke in others "a refusal to believe what at the same time they know to be true, and expresses the universal tendency toward denial, [with] denial being a potent defence against persecutory anxiety and guilt." [3]
The interaction, as a process, brings into being what Black terms an "implication-complex", a system of associated implications shared by the linguistic community as well as an impulse of free meaning, free in that it is meaning which was unavailable prior to the metaphor's introduction (Black 1979, p. 28).