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Gregorian chant has in its long history been subjected to a series of redactions to bring it up to changing contemporary tastes and practice. The more recent redaction undertaken in the Benedictine Abbey of St. Pierre, Solesmes, has turned into a huge undertaking to restore the allegedly corrupted chant to a hypothetical "original" state.
A plagal mode (from Greek πλάγιος 'oblique, sideways, athwart') [7] [8] has a range that includes the octave from the fourth below the final to the fifth above. The plagal modes are the even-numbered modes 2, 4, 6 and 8, and each takes its name from the corresponding odd-numbered authentic mode with the addition of the prefix "hypo-": Hypodorian, Hypophrygian, Hypolydian, and ...
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.
Chant is a compilation album of Gregorian chant, performed by the Benedictine monks of Santo Domingo de Silos in Spain. The performances were recorded perhaps as early as the 1970s, either in the province of Burgos or in Madrid , the Spanish capital. [ 1 ]
The main player in the history of Gregorian chant semiology in the 19th century is the Benedictine community of the Abbey of St Peter in Solesmes, which was established in 1833 by Fr Prosper Guéranger, who wished to create single authoritative editions of chant via paleographical study. This led to the scholarly monks of the abbey, chief among ...
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel, the chants in the Liber Usualis originated in the 11th century. [1]
Media vita in morte sumus (Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". [1] The most accepted source is a New Year's Eve religious service in the 1300s. [1]
Chants may range from a simple melody involving a limited set of notes to highly complex musical structures, often including a great deal of repetition of musical subphrases, such as Great Responsories and Offertories of Gregorian chant. Chant may be considered speech, music, or a heightened or stylized form of speech.