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Hubris (/ ˈ h juː b r ɪ s /; from Ancient Greek ὕβρις (húbris) 'pride, insolence, outrage'), or less frequently hybris (/ ˈ h aɪ b r ɪ s /), [1] describes a personality quality of extreme or excessive pride [2] or dangerous overconfidence and complacency, [3] often in combination with (or synonymous with) arrogance. [4]
As he sails off with his men, Odysseus boastfully reveals his real name, an act of hubris that was to cause problems for him later. Polyphemus prays to his father, Poseidon, for revenge and casts huge rocks towards the ship, which Odysseus barely escapes. The story reappears in later Classical literature.
When Odysseus and 12 of his crew, including Eurylochus, came into the port of Sicily, the Cyclops Polyphemus seized and confined them. [3] Along with the Ithacan king and six others namely: Lycaon, Amphialos, Alkimos, Amphidamas and Antilochus, Eurylochus survived the manslaughter of his six companions by the monster.
Votive relief of Nemesis as protector of gladiators treading on Hubris, 2nd-century AD, Archaeological Museum of Patras, in Greece. In Greek mythology, Hybris (/ ˈ h aɪ b r ɪ s /; Ancient Greek: Ὕβρις, romanized: Húbris, lit. ' wanton violence ', ' insolence ') [1] was the personification of insolence. [2] [better source needed] [3]
A mosaic depicting Odysseus, from the villa of La Olmeda, Pedrosa de la Vega, Spain, late 4th–5th centuries AD. The Odyssey begins after the end of the ten-year Trojan War (the subject of the Iliad), from which Odysseus (also known by the Latin variant Ulysses), king of Ithaca, has still not returned because he angered Poseidon, the god of the sea.
In Greek and Roman mythology, Odysseus (/ ə ˈ d ɪ s i ə s / ə-DISS-ee-əs; [1] Ancient Greek: Ὀδυσσεύς, Ὀδυσεύς, romanized: Odysseús, Odyseús, IPA: [o.dy(s).sěu̯s]), also known by the Latin variant Ulysses (/ juː ˈ l ɪ s iː z / yoo-LISS-eez, UK also / ˈ juː l ɪ s iː z / YOO-liss-eez; Latin: Ulysses, Ulixes), is a legendary Greek king of Ithaca and the hero of ...
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
Henry Fuseli's painting of Odysseus facing the choice between Scylla and Charybdis, 1794–1796. Being between Scylla and Charybdis is an idiom deriving from Greek mythology, which has been associated with the proverbial advice "to choose the lesser of two evils". [1]