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Close-up of the springs on an Anglepoise 90 lamp. A key feature of the Anglepoise design and patent is the placement of all springs (either three or four) near the base. [13] The design was extensively copied by other companies, usually in simplified form, and is still in use. Some derivatives use a heavy balance weight instead of the springs.
A balanced-arm lamp has a base, a stand or body, (in most cases) two connected arms (in many cases fitted with springs), and a lamp-head. The lamp can be moved into almost any position, and the balancing device will maintain the position until moved again. The same overall mechanism can be employed in other devices with similar requirements ...
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In 1937, Jac Jacobsen, the founder of Luxo, invented the Luxo L-1 lamp (a modification of the earlier Anglepoise lamp). The lamp, a type of balanced-arm lamp was the inspiration for the 1986 animated short film, Luxo Jr., by Pixar Animation Studios. [3] The short subsequently became the subject of a lawsuit from Luxo. [4] [5]
Table lamp fixtures, standard lamp fixtures, and office task light luminaires. Balanced-arm lamp is a spot light with an adjustable arm such as anglepoise, RAMUN or Luxo L1. Gooseneck (fixture) Nightlight; Floor Lamp Torch lamp or torchières are floor lamps with an upward-facing shade. They provide general lighting to the rest of the room.
Further, one look at the design of an Anglepoise lamp shows that it has only a superficial resemblance to Luxo and Luxo Jr. Note the way the reflectors are connected to the balance arms and the fact that all of the springs on an Anglepoise lamp are at the bottom, whereas Luxo has a spring on the upper arm.
The PH Artichoke lamp designed 1958 The PH Artichoke lit up. The PH Artichoke pendant is a Light fixture designed by Danish architect and designer Poul Henningsen. It was manufactured by Louis Poulsen. It was created for the Langelinie Pavilion in Copenhagen in 1958.
The curtains were almost always drawn in the hut and the only light came from an anglepoise lamp. Dahl would discard rejected pages into a rubbish bin by his side. Books and a filing cabinet were at his other side. Dahl wrote with Dixon Ticonderoga pencils on yellow A4 pads, resting on a piece of wood on a cardboard tube. [9] [10]