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The Adam mantels are in wood enriched with ornament, cast in molds, sometimes copied from the carved wood decoration of old times. [1] Mantels or fireplace mantels can be the focus of custom interior decoration. A mantel traditionally offers a unique opportunity for the architect/designer to create a personal statement unique to the room they ...
By the 1800s, most new fireplaces were made up of two parts, the surround and the insert. The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles.
The finish layer contains the coloration used to imitate stone and is textured using waxed paper and an aluminum roller. [3] Mica could also be sprayed on the surface to give the Formstone a sparkly, clean look. Mortar joints are then scored into the top layer to mimic natural stone construction. [6] [3]
Marbleizing (also spelt marbleising [1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive.
Artificial stone is a name for various synthetic stone products produced from the 18th century onward. Uses include statuary, architectural details, fencing and rails, building construction, civil engineering work, and industrial applications such as grindstones .
Late Victorian features are the stone kitchen in the rear, an 1880s addition, as well as the central dormer, the two-over-two front windows, the fretwork around the eaves, and cast-iron faux marble mantels on the west side, where the 1880s flues have replaced the 1840s fireplaces.
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