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From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented. With the arrival of modernism in Chinese contemporary art, women now have more influences in the field of visual arts ...
Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2] On the other hand, Gendai Nihon Bijin-ga Zenshū Meisaku-sen I defines bijin-ga as pictures that explore "the inner beauty of women". [3]
In 2017, Shōen's work was featured in Uemura Shōen and Quintessential Bijinga, Paintings of Beautiful Women, a two month-long (August 29, 2017 - October 22, 2017) an exhibition organized by Yamatane Museum of Art and Nikkei Inc. The exhibition featured four sections: Uemura Shōen—Fragrant Beauty, Famous Women from Literature and History ...
Inspired by market research that suggested only 4% of women describe themselves as beautiful (up from 2% in 2004), and around 54% believe that when it comes to how they look, they are their own worst beauty critic, Unilever's Dove brand has been conducting a marketing campaign called Dove Campaign for Real Beauty that aims to celebrate women's natural beauty since 2005. [2]
Duane Hanson, Woman Eating, polyester resin, fiberglass, polychromed in oil paint with clothes, table, chair and accessories, Smithsonian American Art Museum, 1971. Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph.
Edna Swithenbank Manley, OM (28 February 1900 – 9 February 1987) [1] is considered one of the most important artists and arts educators in Jamaica.She was known primarily as a sculptor, although her oeuvre included significant drawings and paintings. [2]
The feminist art movement was aimed at giving women the opportunity to have their art reach the same level of notoriety and respect that men's art received. The idea that women are intellectually inferior to men came from Aristotelian ideology and was heavily depended on during the Renaissance.
Gu Kaizhi’s handscroll Exemplary Women (lie nü tu) which was created shortly after the Han dynasty represents this genre. In the Tang dynasty (618–906), palace women (shi nü) performing daily chores or entertainment became a popular subject. The feminine beauty and charm of the palace ladies were valued, but the subject remained ...