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Mary Bagot Stack (12 June 1883 – 26 January 1935), known as Mollie Bagot Stack, [1] founded the Women's League of Health & Beauty in 1930, the first and most significant mass keep-fit system of the 1930s in the UK. [2] [3] [4] This has continued as an exercise system into the 21st century. [5]
Christine Cecilia McIntyre (April 16, 1911 – July 8, 1984) was an American actress and singer who appeared in various films in the 1930s and 1940s. She is mainly remembered as the beautiful blonde actress who appeared in many of The Three Stooges shorts produced by Columbia Pictures.
Evelyn McHale was born in Berkeley, California, [4] one of nine children born to Helen and Vincent McHale. Her father was a bank examiner who relocated to Washington, D.C., in 1930.
She starred in many Hollywood films, including six iconic roles directed by Sternberg: Morocco (1930) (her only Academy Award nomination), Dishonored (1931), Shanghai Express and Blonde Venus (both 1932), The Scarlet Empress (1934), The Devil Is a Woman (1935). She successfully traded on her glamorous persona and exotic looks, and became one of ...
These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Hedy Lamarr (/ ˈ h ɛ d i /; born Hedwig Eva Maria Kiesler; November 9, 1914 [a] – January 19, 2000) was an Austrian-born American actress and inventor. After a brief early film career in Czechoslovakia, including the controversial erotic romantic drama Ecstasy (1933), she fled from her first husband, Friedrich Mandl, and secretly moved to Paris.
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
She was one of the first Black Americans to gain recognition for film and stage work in the 1920s and 1930s. Washington was active in the Harlem Renaissance (1920s–1930s). Her best-known film role was as Peola in Imitation of Life (1934). She plays a young light-skinned Black woman who decides to pass as white.