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Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
Georgian japanned tin tea tray—severely worn—black lacquer and gilt made in Birmingham, UK. Japanning is a type of finish that originated as a European imitation of East Asian lacquerwork. It was first used on furniture, but was later much used on small items in metal. The word originated in the 17th century.
Lai rot nam (Thai: ลายรดน้ำ) or gilded black lacquer is a technique in the traditional Thai decorative arts consisting of the application of black lacquer with gold inlay to surfaces. It was used in the decoration of wooden furniture, especially cabinets, as well as door and window panels, in palaces and Buddhist temples.
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The term "Japanning" in the 17th century is a term for the technique used by Europe to emulate Asian lacquer, derived from the then famous Japanese lacquer. The general characteristic of Japanese lacquerware is the widespread use of various Maki-e techniques compared to other countries.
At its best Vernis Martin has a sheen, polish, and translucence which compel admiration. Every variety of Asian lacquer of the Far East was imitated and often improved upon by the Martins—the black with raised gold ornaments, the red, and finally in the green ground, powdered with gold, they reached the high-water mark of their art.