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The Madonna of Bruges is a marble sculpture by Michelangelo of the Virgin and Child. Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Virgin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only ...
The Church of Our Lady (Dutch: Onze-Lieve-Vrouwekerk) is a Roman Catholic church in Bruges, Belgium, dating mainly from the 13th, 14th and 15th centuries.Its 115.6-metre-high (379 ft) tower remains the tallest structure in the city and the third tallest brickwork tower in the world (after St. Mary's Church in Lübeck and St. Martin's Church in Landshut, both in Germany).
Madonna and Child (Madonna of Bruges) 1501–1504 Church of Our Lady, Bruges: Marble height 128 cm David De Rohan (in Italian) 1502–1508 Lost: Bronze Saint Paul: 1503–1504 Cathedral, Siena: Marble Saint Peter: 1503–1504 Cathedral, Siena: Marble Saint Pius: 1503–1504 Cathedral, Siena: Marble Saint Gregory: 1503–1504 Cathedral, Siena ...
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Bruges' best-known landmark is the Belfry of Bruges, a 13th-century belfry housing a municipal carillon comprising 47 bells. [37] The Belfry of Bruges, independent of the previously mentioned UNESCO World Heritage Site in Bruges, is included on the World Heritage Site of Belfries of Belgium and France . [ 38 ]
Michelangelo began work on the statue of Giuliano began about 1526, after his statue of Lorenzo de' Medici, Duke of Urbino, was complete. The sculpture had to be completed in 1534, the year Michelangelo departed from Florence. In 1533 it was entrusted to Giovanni Angelo Montorsoli to complete any finishing touches.
Lagae's last major work was the statue of Guido Gezelle in Bruges. To celebrate the centenary of Gezelle's birth, the city of Bruges wanted a full-length portrait of the poet. Although there were many supporters for an expressionist-cubist model, it was Lagae who won the competition for the image with his romantic-realist model.
The Entombment (Michelangelo) The Rondanini Pietà is a marble sculpture that Michelangelo worked on from 1552 until the last days of his life, in 1564. Several sources indicate that there were actually three versions, with this one being the last.