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Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
Many styles of Late Renaissance and Mannerist architecture transitioned fairly easily in local styles of Baroque architecture; in other areas the change was more abrupt. Baroque and Neoclassical architecture dominated the later 17th and the 18th century in most areas, and persisted well into the 19th century in many places and individual buildings.
High Renaissance style in architecture conventionally begins with Donato Bramante, whose Tempietto at S. Pietro in Montorio at Rome was begun in 1510. The Tempietto, signifies a full-scale revival of ancient Roman commemorative architecture. David Watkin writes that the Tempietto, like Raphael's works in the Vatican (1509–1511), "is an ...
Michelangelo, nonetheless, is one of the artists who gave rise to the notion of “late style”: the idea that the artist’s vision gets truer and more personal the older they get.
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
[52] [53] As the scale of the work got larger, Michelangelo's style became broader; the final narrative scene of God in the act of creation was painted in a single day. [54] According to Vasari, the ceiling was unveiled before it could be reworked with a secco and gold to give it "a finer appearance" as had been done with the chapel's wall ...
Michelangelo developed his style at an early age, a deeply original one that was greatly admired at first, then often copied and imitated by other artists of the era. [5] One of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and subsequent artists attempted to imitate it. [5]
Conveniently, 1400 and 1500 work fairly well as dates to mark significant changes in style, with key turning points being the competition for designs for the doors of the Florence Baptistery, announced in late 1400, [15] and Michelangelo's Pietà, completed in 1499, and his David, begun in 1501. [16]