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Travis McGee is a 1983 American TV movie based on the 1978 novel The Empty Copper Sea by John D. MacDonald. It was the second film adaptation of the Travis McGee series . It was made by Warner Bros. [ 1 ]
Highest-grossing films of 1983 by In-year release [55]; Rank Title Distributor Domestic gross 1. Return of the Jedi: 20th Century Fox: $309,306,177 2. Terms of Endearment
Travis McGee lives on a 52-foot houseboat dubbed The Busted Flush. The boat is named after the circumstances in which he won the boat in what McGee describes as a "poker siege" of 30 hours of intensive effort in Palm Beach—the run of luck started with a bluff of four hearts (2-3-7-10) and a club (2), which created a "busted flush," as described in Chapter 3 of The Deep Blue Good-by.
March 7, 1983 The Face of Rage: March 20, 1983 Intimate Agony: March 21, 1983 Ryan's Four: April 5–27, 1983 Legs: May 2, 1983 Travis McGee: May 18, 1983 The Sins of Dorian Gray: May 27, 1983 The Last Ninja: July 7, 1983 Shooting Stars: July 28, 1983 Making of a Male Model: October 9, 1983 A Killer in the Family: October 30, 1983 The Day After ...
Opening Title Production company Cast and crew Ref. J A N U A R Y: 7 Xtro: New Line Cinema: Harry Bromley Davenport (director/screenplay); Michel Perry, Iain Cassie, Robert Smith (screenplay); Philip Sayer, Bernice Stegers, Simon Nash, Maryam d'Abo, Danny Brainin, Peter Mandell, David Cardy, Anna Wing, Robert Fyfe, Katherine Best, Robert Pereno, Sean Crawford, Tim Dry, Arthur Whybrow, Susie Silvey
WORLD CINEMA DRAMATIC COMPETITION. The 10 films in this section are all world premieres. All 10 will be available to stream online. Brides (U.K. – Director: Nadia Fall, Screenwriter: Suhayla El ...
Matthew James Willis (born 8 May 1983) is an English musician, singer, songwriter, television personality and actor. He is known as co-founder, bassist and co-vocalist of the pop-punk band Busted. Willis released his debut solo album Don't Let It Go to Waste on 20 November 2006. It contains three top-20 singles. [1]
In his book Hollywood's Dark Cinema: The American Film Noir, Robert Barton Palmer claimed "perhaps the most popular genre in the 1990s, the so-called erotic thriller [...] is a direct descendant of the classic film noir". [6]