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The painting was donated to the White House art collection by C. R. Smith, president of American Airlines. It is the earliest of three landscape paintings by Moran in the White House art collection, the other two being his 1912 painting of Point Lobos, Monterey and a 1909-1910 painting of the cliffs of the Green River, Wyoming.
Thomas Moran (February 12, 1837 – August 25, 1926) was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family, wife Mary Nimmo Moran and daughter Ruth, took residence in New York where he obtained work as an artist.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Woodmere Art Museum, located in the Chestnut Hill section of Philadelphia, Pennsylvania, has a collection of paintings, prints, sculpture and photographs focusing on artists from the Delaware Valley and includes works by Thomas Pollock Anshutz, Severo Antonelli, Jasper Francis Cropsey (The Spirit of Peace), Joan Wadleigh Curran, Daniel Garber, Edward Moran, Violet Oakley, Herbert Pullinger ...
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Moran was born to Thomas Moran Sr. and Mary (née Higson) of Lancashire, England on August 19, 1829. [1]Following in the footsteps of his father's profession, he learned to operate a hand-loom at a young age, though he would often be found sketching with charcoal on the white fabric instead of plying the shuttle.
It was founded in 1871. Originally called the New York Sketch Class, [4] and later the New York Sketch Club, [5] the Salmagundi Club had its beginnings at the eastern edge of Greenwich Village in sculptor Jonathan Scott Hartley's Broadway studio, where a group of artists, students, and friends at the National Academy of Design, which at the time was located at Fourth Avenue and Twenty-third ...
Moran spent several days sketching the Grand Canyon of the Yellowstone from different vantage points. [ 1 ] [ 2 ] Hayden's extensive report on the expedition, which included sketches and paintings by Moran, as well as photographs by William Henry Jackson , was instrumental in persuading Congress to preserve the area as a national park. [ 3 ]