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A look inside a Quantel Paintbox. The Quantel Paintbox [1] was a dedicated computer graphics workstation for composition of broadcast television video and graphics. Produced by the British production equipment manufacturer Quantel (which, via a series of mergers, is now part of Grass Valley), its design emphasized the studio workflow efficiency required for live news production.
Trans-Lux is a company that specializes in designing, selling, leasing, and maintaining multi-color, real-time data and LED large-screen electronic information displays, but is primarily known as a major supplier of national stock ticker displays for stock exchanges. These indoor and outdoor displays are used worldwide in many industries ...
Color 6 is treated specially; normally, color 6 would become dark yellow, as seen to the left, but in order to achieve a more pleasing brown tone, special circuitry in most RGBI monitors, starting with the IBM 5153 color display, [11] makes an exception for color 6 and changes its hue from dark yellow to brown by reducing the analogue green ...
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Hi-Color / Multitech. ZX Spectrum "8 × 1" attributes / Hicolour display. Several third-party Spectrum clones, including the Timex Sinclair machines, [27] [28] the Pentagon, the eLeMeNt ZX, and the MB03+ Ultimate interface support a screen mode named Hi-Color, [28] in which attribute blocks are 8 × 1 pixels in size rather than the usual 8 × 8.
Orange artifact color, generated from white and black pixels, on the TRS-80 Color Computer Example of artwork created with the intent of having individual pixel values horizontally averaged over composite video. Composite artifact colors is a technique commonly used to address several graphic modes of some 1970s and 1980s home computers.
High-definition video (HD video) is video of higher resolution and quality than standard-definition. While there is no standardized meaning for high-definition , generally any video image with considerably more than 480 vertical scan lines (North America) or 576 vertical lines (Europe) is considered high-definition.
This started with a joint project in 1988 with Jim Henson's Creature Shop on a real-time performance character named Waldo C. Graphic for The Jim Henson Hour (1989). [13] During these years of transition, Pacific Data Images moved away from the motion graphics market, and focused its attention on commercials and 3D visual effects for feature films.