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Moksha is a 2001 Indian crime drama film produced and directed by Ashok Mehta in his directorial debut. [2] The film stars Arjun Rampal and Manisha Koirala . [ 3 ] The film won Best Cinematography and Best Audiography at the 48th National Film Awards .
Pritha Sengupta [1] (born 22 June 1996) professionally credited as Mokksha, is an Indian film actress, teacher and classical dancer, who started career in film industry from Bengali films and she also appeared in Tamil cinema, Telugu cinema and Malayalam cinema.
Moksha is a 2013 Telugu-language horror film which is loosely based on the 2010 Hollywood movie Let Me In and directed by Srikanth Vemulapalli, who has earlier directed a very critically acclaimed movie Black and White (2008). [1] The film stars actress Meera Jasmine in lead role. [2]
The Mystery Of Moksha Island is an Indian Telugu-language thriller streaming television series directed by Anish Kuruvilla and written by Sanjeev Roy and Prasanth Varma. [1] Produced under 14 Reels Entertainment, it stars Tejaswi Madivada, Nandu, Pavani Reddy, Ashutosh Rana and Priya Anand. [2] The series premiered on Disney+ Hotstar on 20 ...
The motivations for the bathing ritual are several. The most significant is the belief that the tirtha (pilgrimage) to the Kumbh Mela sites and then bathing in these holy rivers has a salvific value, moksha – a means to liberation from the cycle of rebirths (samsara). [129]
Moksha (/ ˈ m oʊ k ʃ ə /; [1] Sanskrit: मोक्ष, mokṣa), also called vimoksha, vimukti, and mukti, [2] is a term in Jainism, Buddhism, Hinduism, and Sikhism for various forms of emancipation, liberation, nirvana, or release. [3] In its soteriological and eschatological senses, it refers to freedom from saṃsāra, the cycle of ...
“Aquaman and the Lost Kingdom” failed to make a splash at the Christmas box office, debuting to $28 million over the weekend and an estimated $40 million through the four-day holiday weekend.
Tamma Moksha of The Hindu wrote that "I would rather take a muscular protagonist without morals — indulging in action sequences and physically hurting rapists — than watch another minute of a stingy boy-next-door who seems to draw his heroism by solely associating with a brutalised woman and abandoning his values thereafter". [11]