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The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino.
These tiles were intended for interior decoration, where they could form longer friezes. [16] Antefixes sat on or above the eaves, the lowest row of tiles and closed off the front opening. They were composed of two parts. The curved tile was placed over the bricks of the eave, while the front portion closed the roof cavity off with a vertical tile.
The iconic image of the Hand of God giving life to Adam The Sistine Chapel ceiling , painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance . Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam ...
While these industrialized methods produced simple, stylized designs, the art of hand-painting tiles was not dead, as applied by Manuel Joaquim de Jesus and especially Luís Ferreira. Luis Ferreira was the director of the Lisbon factory Viúva Lamego and covered the whole façade of this factory with allegorical scenes.
At the time, most houses were made of wood and had thatch roofing, which would often cause fires to spread quickly. To satisfy demand, many small roof-tile makers began to produce roof tiles by hand. The Scandinavian style of roof tile is a variation on the pantile which features a subdued "S" shape reminiscent of an ocean wave. [23]
A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.
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The word zillīj (زليج) is derived from the verb zalaja (زَلَجَ) meaning "to slide," [9] in reference to the smooth, glazed surface of the tiles. The word azulejo in Portuguese and Spanish, referring to a style of painted tile in Portugal and Spain, derives from the word zillīj.