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Think Like a Man is the soundtrack to the 2012 romantic comedy film of the same name.The album was released on April 17, 2012, through Epic Records, and featured contributions from Jennifer Hudson, John Legend, Ne-Yo, Keri Hilson, Kelly Rowland, Marcus Canty and Future, along with guest appearances from Rick Ross, Ludacris, Bei Maejor. [1]
The three friends did not want to hurt one another but they know how wonderful this man could be. The friends hug and cry and go to confront the man, whom they find with another woman. The women cry and comfort each other like sisters. "no more love poems #1" – Lady in Orange; The lady in orange discusses a relationship that left her heartbroken.
Colors is the soundtrack album to the Dennis Hopper-directed 1988 action crime film Colors. It was released on April 26, 1988 via Warner Bros. Records and mostly consisted of hip hop music . The album found success, peaking at number 31 on the Billboard 200 [ 3 ] and was certified gold on July 12, 1988, but it is best remembered for its title ...
Epic: The Musical (stylized as EPIC) is a nine-part series of concept albums (referred to as "sagas") with music and lyrics by Jorge Rivera-Herrans. A sung-through adaptation of Homer's Odyssey inspired by musical theater, it tells the story of Odysseus as he tries to return from Troy to Ithaca after the ten-year-long Trojan War.
Think Like a Man Too debuted at number 30 on the US Billboard 200 chart, with 8,688 copies sold its first week. It also debuted on the Top R&B/Hip-Hop Albums chart at number six, her 16th top ten entry on the chart. The soundtrack's sole single "Suitcase," reached the top 30 on the US Billboard Adult R&B Songs chart.
The following is the actual order in the film: Instrumental medley of "Whenever You're Away from Me" and "Xanadu", over first part of opening credits "Whenever You're Away from Me" (excerpt) as Danny plays the clarinet on the beach at the break of dawn; Instrumental underscoring of "Xanadu" with Sonny drawing and painting; Extended intro to "I ...
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Segments were color-keyed scene by scene so the colors in a single shot would harmonize between preceding and following ones. [43] Before a segment's narrative pattern was complete, an overall color scheme was designed to the general mood of the music, and patterned to correspond with the development of the subject matter. [ 43 ]