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Corinth is believed to have painted the Self-Portrait with Skeleton in response to the Self-Portrait with Death Playing the Fiddle (1872), by the Swiss painter Arnold Böcklin, who was widely admired back then in Germany. Böcklin depicted the skeleton in his work as a live figure, he plays the violin while the artist listens to it.
According to him, the painting is "the full answer to [Corinth's] loneliness with the skeleton": "It is not the work cage that is depicted here, not the industrial and urban landscape of the window view, but the champagne and grape still life of a cozy interior, the sensual encounter with the beloved in front of the mirror, whose reflection he ...
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Lovis Corinth (21 July 1858 – 17 July 1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. Corinth studied in Paris and Munich, joined the Berlin Secession group, later succeeding Max Liebermann as the group's president. His early work was naturalistic in ...
According to Berend-Corinth's catalog raisonné, the first version of the painting was first privately owned by Alice Schurz in Wiesbaden and later in the art collection of the city of Königsberg. After that, the painting's location remained unknown (as of 1992), [ 1 ] until it was sold at Koller Auctions in Switzerland in 2006. [ 17 ]
The painting represents fellow painter Lovis Corinth, depicted in the seated position. Corinth's body and head are seen in profile and his head is turned slightly, looking at the viewer over his left shoulder. Liebermann usually painted his models as seen from the front, with the current side portrait being an exception. [4]
Cleanthes (Ancient Greek: Κλεάνθης) was an ancient painter of Corinth, who was mentioned among the inventors of that art by Pliny the Elder and Athenagoras of Athens. [1] [2] A picture by him representing the birth of the goddess Minerva was seen in the temple of Diana near the Alpheius River (Artemis Alpheionia).