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Various styles and types of vases have been developed around the world in different time periods, such as Chinese ceramics and Native American pottery. In the pottery of ancient Greece "vase-painting" is the traditional term covering the famous fine painted pottery, often with many figures in scenes from Greek mythology. Such pieces may be ...
Pottery is the process and the products of forming vessels and other objects with clay and other raw materials, which are fired at high temperatures to give them a hard and durable form. The place where such wares are made by a potter is also called a pottery (plural potteries).
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The following vases are mostly Attic, from the 5th and 6th centuries, and follow the Beazley naming convention. Many shapes derive from metal vessels, especially in silver, which survive in far smaller numbers. Some pottery vases were probably intended as cheaper substitutes for these, either for use or to be placed as grave goods.
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. [1] Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases , jugs, bowls and the like which are sold singly.
Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue". The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. [1] Victoria and Albert Museum, London. Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s.
Dutch delftware vase in a Japanese style, c. 1680 "Blue and white pottery" (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide.
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad.