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In the Second Temple period, Jewish art was heavily influenced by the Biblical injunction against graven images, leading to a focus on geometric, floral, and architectural motifs rather than figurative or symbolic representations. This artistic restraint was a response to the Hellenistic cultural pressures that threatened Jewish religious ...
The Jews began to use specific symbols in their art as a means of expressing and affirming their Jewish identity. These symbols included the menorah, the showbread table, the ark, ritual objects, and the conch. Originally part of the Temple rites, these symbols held significant meaning and became a prominent feature in Jewish art of the period.
The Jewish artistic Renaissance has its roots in the 1901 Fifth Zionist Congress, which included an art exhibition featuring Jewish artists E.M. Lilien and Hermann Struck. The exhibition helped legitimize art as an expression of Jewish culture. [103]
Jewish ceremonial art is objects used by Jews for ritual purposes. Because enhancing a mitzvah by performing it with an especially beautiful object is considered a praiseworthy way of honoring God's commandments, Judaism has a long tradition of commissioning ritual objects from craftsmen and artists.
Visual arts in Israel or Israeli art refers to visual art or plastic art created by Israeli artists or Jewish painters in the Yishuv. Visual art in Israel encompasses a wide spectrum of techniques, styles and themes reflecting a dialogue with Jewish art throughout the ages and attempts to formulate a national identity.
The original Ecclesia and Synagoga from the portal of Strasbourg Cathedral, now in the museum and replaced by replicas. Ecclesia and Synagoga, or Ecclesia et Synagoga in Latin, meaning "Church and Synagogue" (the order sometimes reversed), are a pair of figures personifying the Church and the Jewish synagogue, that is to say Judaism, found in medieval Christian art.