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Camelot is a 1967 American musical fantasy drama film directed by Joshua Logan and written by Alan Jay Lerner, based on the 1960 stage musical of the same name by Lerner and Frederick Loewe. [2] It stars Richard Harris as King Arthur , Vanessa Redgrave as Guenevere , Franco Nero as Lancelot , David Hemmings as Mordred and Lionel Jeffries as ...
As a change of pace, he was the romantic lead in a Doris Day spy spoof comedy, Caprice (1967), directed by Frank Tashlin. Harris next performed the role of King Arthur in the film adaptation of the musical play Camelot (1967).
The obstacles encountered in producing Camelot were hard on the creative partnership of Lerner and Loewe, and the show turned out to be one of their last collaborations (although they did work together to adapt their 1958 movie Gigi to the stage in 1973, and collaborated again the following year on the movie musical The Little Prince). Camelot ...
Cast Genre Notes 40 Guns to Apache Pass: William Witney: Audie Murphy, Kenneth Tobey, Laraine Stephens: Western: Columbia: The Adventures of Bullwhip Griffin: James Neilson: Roddy McDowall, Suzanne Pleshette, Karl Malden: Western comedy: Disney: The Ambushers: Henry Levin: Dean Martin, Senta Berger, Janice Rule: Spy comedy: Columbia; sequel The ...
Lerner & Loewe’s “Camelot,” that oft-old story of King Arthur and the Knights of the Round Table, will return to Broadway featuring a new book by Aaron Sorkin. That creative change may mean ...
Francesco Clemente Giuseppe Sparanero (born 23 November 1941), known professionally as Franco Nero, is an Italian actor.His breakthrough role was as the title character in the Spaghetti Western film Django (1966), which made him a pop culture icon and launched an international career that includes over 200 leading and supporting roles in a wide variety of films and television productions.
Robert Goulet and Julie Andrews in Camelot Scene from the musical Camelot. Goulet's first U.S. bookings were in summer stock theatre with the Kenley Players. [11] He appeared in eight productions, including Pajama Game (1959), Bells Are Ringing (1959), Dream Girl (1959), South Pacific (1960), Meet Me in St. Louis (1960) and Carousel (1960). [12]
She received her second Tony nomination in 1961 when she originated the role of Queen Guinevere in Camelot. After this, she auditioned for the role of Eliza Doolittle in the 1964 film adaptation of My Fair Lady, losing the role to Audrey Hepburn. [5] Instead, Andrews was cast as the title role in the 1964 musical film Mary Poppins. [6]