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It Might Get Loud is a 2008 American documentary film by filmmaker Davis Guggenheim. It explores the careers and musical styles of prominent rock guitarists Jimmy Page , the Edge , and Jack White . [ 1 ]
Lesley Chilcott is an American documentary film director and producer. Notable feature documentary films include Watson, [1] [2] Waiting for "Superman", [3] CodeGirl, [4] [5] It Might Get Loud, [6] and An Inconvenient Truth which won two Academy Awards. Chilcott is known for documentaries about social justice issues such as climate change, the ...
Philip Davis Guggenheim is an American screenwriter, director, and producer.. Active in television and film's directions and productions since the 1990s, from 2006 Guggenheim has specialized in making documentaries, [1] ranking the top 100 highest-grossing documentaries of all time with three works: An Inconvenient Truth, It Might Get Loud, and Waiting for "Superman".
Here’s our list of four new documentaries to get into this month: ... Say It Loud” Directed and co-written by award-winning filmmaker Deborah Riley Draper, this four-part project is full of ...
Now, for the first time, all six of Stenberg’s documentaries are available to watch for free online, either on Tubi or on YouTube. “If I can get it out for people to watch, that’s fun ...
In the 2008 documentary, It Might Get Loud, with the guitarists Jimmy Page, The Edge, and Jack White, Page, the Led Zeppelin founder and guitarist, appears playing a 45 rpm single of "Rumble", apparently from his personal collection. Page discusses the record and performs air guitar along with it. Intercut in this footage is part of a ...
It’s full circle. I mean, I’ve lived a 62-year existence, full of a lot of art, music, life, culture. ... And it was very loud — we are very loud in all those aspects. Very loud in our music ...
Fred Lincoln "Link" Wray Jr. (May 2, 1929 – November 5, 2005) was an American guitarist, songwriter, and vocalist who became popular in the late 1950s. His 1958 instrumental single "Rumble", reached the top 20 in the United States; and was one of the earliest songs in rock music to utilize distortion and tremolo.