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The floating Christ inevitably recalled the composition of depictions of his Resurrection and Ascension, an association which Raphael and later artists were happy to exploit for effect. [9] Raphael's last painting, "Transfiguration of Jesus", is a masterpiece that reflects his mastery of Renaissance painting techniques.
The Resurrection of Christ (1499–1502), also called The Kinnaird Resurrection (after a former owner of the painting, Lord Kinnaird), is an oil painting on wood by the Italian High Renaissance master Raphael. The work is one of the earliest known paintings by the artist, executed between 1499 and 1502.
Head of Christ is a painting in oil on panel by the Italian Renaissance painter Antonio da Correggio, dated 1521. It depicts the head of Christ, wearing the crown of thorns. In the background there is a white cloth showing that the image represents the Veil of Veronica, but Christ's head is given volume through alternate use of light and dark ...
Christ with disciples in the painting.. The Brancacci Chapel, in the basilica of Santa Maria del Carmine, was founded around 1366/7 by Pietro Brancacci. [3] The chapel passed to Pietro's nephew, Felice Brancacci, who some time between 1423 and 1425 commissioned the painter Masolino to decorate the walls with a series of frescoes from the life of Saint Peter.
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre, a New Testament scholar and professor at Duke University. [82]
Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
In the West the Magi developed large exotically dressed retinues, which sometimes threaten to take over the composition by the time of the Renaissance; there is undoubtedly a loss of concentration on the religious meaning of the scenes in some examples, especially in 15th-century Florence, where large secular paintings were still a considerable ...