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One hundred words of prose could be taken to be a notability indicator. At the present time, the general notability guideline provides inadequate guidance as to what level of coverage is significant. The example presently offered (a large book) should obviously not be taken as a minimum standard for significant coverage, as most topics that ...
Malgudi Days is a collection of short stories by R. K. Narayan published in 1943 by Indian Thought Publications. [1] The book was republished outside India in 1982 by Penguin Classics. [2] The book includes 32 stories, all set in the fictional town of Malgudi, [3] located in South India. Each of the stories portrays a facet of life in Malgudi. [4]
The 100-word format forces the writer to question each word as they write it. The brevity of the form, and the magazine's presentation, allows the writer to "keep a story free from an explanation," in the spirit of Walter Benjamin's philosophy of storytelling. [1] The magazine reads submissions throughout the year.
A Thousand Deaths (London short story) Jack London: 1899 A Toy for Juliette: Robert Bloch: Dangerous Visions: 1967 A Walk in the Sun (short story) Geoffrey A. Landis: Asimov's Science Fiction: 1991 A Work of Art: James Blish: Science Fiction Stories: 1956 A Year in the Linear City: Paul Di Filippo: 2002 All Summer in a Day: Ray Bradbury
The Southeast Review continues the contest but has increased the maximum to 500 words. [10] In 1996 Stern published Micro Fiction: an anthology of really short stories drawn, in part, from the contest. [11] It was not until 1992, however, that the term "flash fiction" came into use as a category/genre of fiction.
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The Frame story, also known as the frame narrative or story within a story, is a narrative technique that probably originated in ancient Indian works such as Panchatantra. [ 15 ] [ 16 ] The evolution of printing technologies and periodical editions were among the factors contributing to the increasing importance of short story publications.