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The ancient Tamil music is the historical predecessor of the Carnatic music during the Sangam period spanning from 500 BCE to 200 CE. [1] Many poems of the classical Sangam literature were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pattupattu.
The Hindu music review called the album "A Major Event in the World of Music". [1] As of 15 July 2020, the album got into Amazon's Top#10 best seller list under International Music category. The album consists of seven songs, a collection of outstanding ancient Tamil Sangam literature poetry with music composed by Rajan Somasundaram and sung by ...
The oppari singer sings, wails and beats her chest and accompanied to the sounds of a beating drum she helps mourners bring their buried grief to the surface. [4] A sample theme of a daughter lamenting father's death is described below: Her body, wracked with grief, sways and her full-throated voice rises and falls as she talks to her father.
There is a larger version called Periya Parai or Perum Parai (Periya or Perum meaning "large" in Tamil), which is a fat, stockier double-sided drum, similar to a Dhol or Dholak. [ 17 ] [ 12 ] This is a larger drum made of hollowed wood, about 30–40 in (760–1,020 mm) in length with a diameter of 10–20 in (250–510 mm) with a stretched ...
The early narrative poem Silappatikaram, belonging to the post-Sangam period also mentions various forms of music practiced by the Tamil people. Music was also utilised in the compositions of the Tamil Saiva saints such as Appar , Thirugnana Sambanthar and Manikkavasagar during the Hindu revival period between the sixth and the tenth centuries CE.
In the post-Sangam period, between the third and the fifth centuries CE, Tamil music evolved to a higher sophistication. Cilappatikāram , written around the fifth century CE, describes music based on logical, systematic and scientific calculations in the arrangements of the dancers on the stage to represent the notes and panns .
The early Sangam poetry diligently follows two meters, while the later Sangam poetry is a bit more diverse. [ 26 ] [ 27 ] The two meters found in the early poetry are akaval and vanci . [ 28 ] The fundamental metrical unit in these is the acai (metreme [ 29 ] ), itself of two types – ner and nirai .
Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.