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Cloudburst is a composition by Eric Whitacre for eight-part choir, with piano and percussion accompaniment. Whitacre began writing the piece in 1991 (when the composer was 21 [1]), at the request of conductor Dr. Jocelyn K. Jensen for her high school choir - the final version of the piece was published in 1995. [2]
Drum tablature, commonly known as a drum tab, is a form of simplified percussion notation, or tablature for percussion instruments.Instead of the durational notes normally seen on a piece of sheet music, drum tab uses proportional horizontal placement to indicate rhythm and vertical placement on a series of lines to represent which drum from the drum kit to stroke.
for 4 percussion players, or 1 percussion player and tape: also version for traditional Japanese musical instruments: Chamber music: 1967–1971: ムナーリ・バイ・ムナーリ: Munari by Munari: for percussion: Chamber music: 1971: 声（ヴォイス） Voice: for flute: Chamber music: 1971: ユーカリプスII: Eucalypts II: for flute ...
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Mitchell Thomas Peters (August 17, 1935 – October 28, 2017) was a principal timpanist and percussionist with the Los Angeles Philharmonic Orchestra. He composed well-known pieces for the marimba such as "Yellow After the Rain" and "Sea Refractions"; it is said that these works were composed because Peters felt that there was a lack of musically interesting material that would introduce his ...
The Sousa Archives and Center for American Music holds the Paul Price Percussion Music and Papers, 1961–1982, [3] which consists of percussion sheet music, sound recordings, and correspondence documenting Price's career as a percussion musician, and conductor of the Manhattan Percussion Ensemble.
Music for Violin with Various Instruments, European, Asian, and African (1967), string solo and orchestra; Symphony No. 3 (1982) For the Cabrillo Music Festival; Piano Concerto (1983–85), for piano tuned in Kirnberger #2 (a form of well temperament) and orchestra; Last Symphony (No. 4) (1990, rev. 1995) A Parade for MTT (1995)
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