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Painted in Munich, the painting depicts a bearded Böcklin stalked by a personification of death playing a single-stringed violin in an intimation of his mortality. It is an echo of an earlier painting of Sir Brian Tuke by an anonymous painter c.1540, part of the collection of the Alte Pinakothek in Munich, in which the shadowing figure of ...
His Portrait of Myself, with Death playing a violin (1872), was painted after his return again to Munich, where he exhibited Battle of the Centaurs, Landscape with Moorish Horsemen and A Farm (1875). From 1876 to 1885 Böcklin was working at Florence, and painted a Pietà, Ulysses and Calypso, Prometheus, and the Sacred Grove. [1]
Corinth is believed to have painted the Self-Portrait with Skeleton in response to the Self-Portrait with Death Playing the Fiddle (1872), by the Swiss painter Arnold Böcklin, who was widely admired back then in Germany. Böcklin depicted the skeleton in his work as a live figure, he plays the violin while the artist listens to it.
The slab and its inscription follows the tradition of Flemish painting, often referenced by Mantegna and other Paduan artists. It appears to separate the viewer in the real world from the artificial world depicted, but crosses the border. The left hand of Christ creates the illusion that the two worlds occupy the same space.
The idea of scherzo, a musical term referring to the lighthearted, playful segment of a symphony, is present in this scene, [14] invoking slight lightness, hope, and promise in anticipation of Christ's future resurrection. The painting is another mirror to the Middle Ages inscriptions on images related to a Christ on the cross or the Passion of ...
The Dead Christ with Angels; Dead Eagle Owl; Dead Frog with Flies; The Dead Lovers; The Dead Man (Manet) Death and Fire; Death and Life; Death and the Maiden (Baldung) Death and the Maiden (Schiele) Death and the Miser; The Death of Actaeon; The Death of Adonis (Rubens) The Death of Balder; The Death of Captain James Cook (Zoffany) The Death of ...
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body.
It was sold for £1.8 million in 1994, which at that time was the highest price paid for a Pre-Raphaelite painting. [8] It is held in Leeds Art Gallery. The third and final version was commissioned by the art dealers Thomas Agnew & Sons in March 1873. It changed hands over the century until it was acquired by Andrew Lloyd Webber in 1994.