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Guastavino tile vaulting in the City Hall station of the New York City Subway Guastavino ceiling tiles on the south arcade of the Manhattan Municipal Building. The Guastavino tile arch system is a version of Catalan vault introduced to the United States in 1885 by Spanish architect and builder Rafael Guastavino (1842–1908). [1]
The pattern represented by every finite patch of tiles in a Penrose tiling occurs infinitely many times throughout the tiling. They are quasicrystals: implemented as a physical structure a Penrose tiling will produce diffraction patterns with Bragg peaks and five-fold symmetry, revealing the repeated patterns and fixed orientations of its tiles ...
In information visualization and graphic design, Truchet tiles are square tiles decorated with patterns that are not rotationally symmetric. When placed in a square tiling of the plane, they can form varied patterns, and the orientation of each tile can be used to visualize information associated with the tile's position within the tiling.
It was widely used in Britain in the 1970s, mainly with the familiar stippled and swirled patterns. Artex was also occasionally used on walls. [2] As of 2023 Artex is still sold, [3] but the textured ceiling finishes are much less popular. One issue with Artex ceilings is that matching the pattern seamlessly when repairing is impossible.
All four tilings are 2-isohedral. The chiral pairs of tiles are colored in yellow and green for one isohedral set, and two shades of blue for the other set. The pgg symmetry is reduced to p2 when the chiral pairs are considered distinct. The tiling by type 9 tiles is edge-to-edge, but the others are not. Each primitive unit contains eight tiles.
Knockdown texture is a drywall finishing style. It is a mottled texture, it has more changes in textures than a simple flat finish, but less changes than orange peel, or popcorn, texture. Heavy knockdown applied with a spray hopper. Knockdown texture is created by watering down joint compound to a soupy consistency.
Substitution tiling systems provide a rich source of aperiodic tilings. A set of tiles that forces a substitution structure to emerge is said to enforce the substitution structure. For example, the chair tiles shown below admit a substitution, and a portion of a substitution tiling is shown at right below.
The details of the pattern indicate that girih tiles, rather than compass and straightedge, were used for decorating the shrine. The patterns appear aperiodic; within the area on the wall where they are displayed, they do not form a regularly repeating pattern; and they are drawn at two different scales. A large-scale pattern is discernible ...