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Pages in category "Paintings of Luke the Evangelist" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. *
Digital images are referenced with direct links to the hosting web pages. The quality and accessibility of the images is as follows: ... Luke 13:13–17, 25–30 1 ...
Luke 1:1–4, drawing on historical investigation, identified the work to the readers as belonging to the genre of history. [42] There is disagreement about how best to treat Luke's writings, with some historians regarding Luke as highly accurate, [ 43 ] [ 44 ] and others taking a more critical approach.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
The evangelist, Luke, begins his "orderly account" with the following statement: . 1 Inasmuch as many have taken in hand to set in order a narrative of those things which have been fulfilled among us, 2 just as those who from the beginning were eyewitnesses and ministers of the word delivered them to us, 3 it seemed good to me also, having had perfect understanding of all things from the very ...
Only the Gospels of Matthew and Luke offer narratives regarding the birth of Jesus. [6] Both agree that Jesus was born in Bethlehem in the reign of King Herod, that his mother was named Mary and that her husband Joseph was descended from King David (although they disagree on details of the line of descent), and both deny Joseph's biological parenthood while treating the birth, or rather the ...
Saint Luke Drawing the Virgin is a large oil and tempera on oak panel painting, usually dated between 1435 and 1440, attributed to the Early Netherlandish painter Rogier van der Weyden. Housed in the Museum of Fine Arts , Boston , it shows Luke the Evangelist , patron saint of artists, sketching the Virgin Mary as she nurses the Child Jesus .
The event is narrated in Luke 1:26–38, in which Gabriel tells Mary that she will bear Jesus, the Son of God. Perhaps influenced by the fundamentalist teachings of the African Methodist Episcopal Church , Tanner uses a column of light to depict Gabriel and paints Mary in peasant clothing with no halo or other discernible holy attributes.