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The Chinh phụ ngâm ("Lament of the soldier's wife", 征婦吟) is a poem in classical Chinese written by the Vietnamese author Đặng Trần Côn (1710–1745). [1] It is also called the Chinh phụ ngâm khúc (征婦吟曲), with the additional -khúc ("tune", 曲) emphasizing that it can be performed as a musical piece not just read as a plain "lament" (ngâm, 吟).
Đặng Trần Côn (chữ Hán: 鄧陳琨; born Trần Côn; c. 1705–1745) was the author of the Chinh phụ ngâm a masterpiece of chữ Hán literature of Vietnam. [1] Đặng Trần Côn was born in Nhân Mục village (or Nhân Mọc), Thanh Trì district, (now Nhân Chính ward, Thanh Xuân district), Hanoi, around 1705–1710. [2]
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Phan Huy Ích was in 1926 claimed as the true translator into Vietnamese of Đặng Trần Côn's Chinh phụ ngâm. The translation from chữ Hán into vernacular chữ Nôm had traditionally been ascribed to poet Đoàn Thị Điểm. [5] [6] [7] [8]
Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the Vietnamese musician Lưu Hữu Phước.
On May 27, 2006, Thúy Nga Productions put on the live variety show Paris by Night 83 with the theme Những khúc hát ân tình (Songs of affection) in California, USA to pay tribute to three Vietnamese songwriters during which the singers performed 11 songs by Nguyen Anh 9.
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The new version was completed and handed over to the emperor in 1835. Still, Minh Mạng was still unsatisfied with its quality; he would personally edit the text later. As a form of political censorship, the emperors often became directly involved in the work's compilation. [9] This custom was abolished after Tự Đức's death. [10]