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"Everybody Wants to Go to Heaven" is a country music song co-written by American songwriters Jim Collins and Marty Dodson. The song was initially to have been recorded by George Strait for his 2008 album Troubadour , but after Strait decided not to include the song on this album, it was recorded by Kenny Chesney instead.
If you can't go to Heaven, May you die in Ireland. 104. May the joys of today Be those of tomorrow. The goblets of life Hold no dregs of sorrow. 105. May the strength of three be in your journey. 106.
What a blessed hope is mine: Robert Bruce* 54: Song of Immanuel: Come, sing the sweet song of the ages: Mrs R.N. Turner: 62: Seeking for the Lost: He is seeking for the lost: Rebecca R. Springer: 71: Oh, precious words that Jesus said: F.J. Crosby: 76: O love that passeth knowledge: Lyman G Cuyler* 83: Blessed Redeemer, full of compassion: F.J ...
Who expandest the door of heaven, Hostile armies press, Give strength; bear aid. To the One and Triune Lord, May there be everlasting glory; who life without end gives us in the homeland. Amen. O saving Victim, opening wide The gate of Heaven to man below; Our foes press hard on every side; Thine aid supply; thy strength bestow.
Komm, süßer Tod, first edition 1736 "Komm, süßer Tod, komm selge Ruh" (Come, sweet death, come, blessed rest) is a song for solo voice and basso continuo from the 69 Sacred Songs and Arias that Johann Sebastian Bach contributed to Musicalisches Gesang-Buch by Georg Christian Schemelli (BWV 478), edited by Schemelli in 1736. [1]
the Heavenly, the Holy, the Blessed, O Jesus Christ, having come upon the setting of the sun, having seen the light of the evening, we praise the Father, the Son, and the Holy Spirit: God. Worthy it is at all times to praise Thee in joyful voices, O Son of God, Giver of Life, for which the world glorifies Thee.
The Mighty Clouds of Joy was formed in 1959 in Los Angeles as a tradition-based style group. It wasn't until 1961 as the group became famous, they added bass, drums, and keyboards to the standard guitar backup and developed a funky sound that split the difference between gospel and rhythm and blues.
The song is told through the eyes of a promiscuous young man who has had many sexual experiences, and plays upon the double-meaning of the word "heaven." He first recalls his baptism and how the preacher asked the protagonist (then a young boy), "Do you want to go to Heaven," referring to the religious concept of the afterlife (where good people go after their death).