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Musical historicism also denotes a theory, doctrine, or aesthetic that emphasizes the importance of music history or in which history is seen as a standard of value or determining factor (as in performance practice).
DApps also have a public, decentralised blockchain that is used by the application to keep a cryptographic record of data, including historical transactions. [ 4 ] Although traditional DApps are typically open-source, DApps that are fully closed-source and partially closed-source have emerged as the cryptocurrency industry evolves.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
Decentralized applications are key to moving forward the promises of the so-called Web3.
The Journal of Music Theory is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl ( Yale University ) in 1957. According to its website, "[t]he Journal of Music Theory fosters conceptual and technical innovations in abstract, systematic musical thought and cultivates the ...
In 2020, the journal released a special issue responding to a keynote address at the 2019 conference of the Society for Music Theory by Philip Ewell, [1] titled "Music Theory's White Racial Frame." Ewell's thesis was that because of Schenker's widely acknowledged racism, it was important for contemporary music theorists to consider how using ...
In the narrow sense, musicology is confined to the music history of Western culture. In the intermediate sense, it includes all relevant cultures and a range of musical forms, styles, genres and traditions, but tends to be confined to the humanities - a combination of historical musicology, ethnomusicology , and the humanities of systematic ...
Musicologists associated with the new musicology often use musical analysis (traditional or not) along with or to support their examinations of the performance practice and social situations in which music is produced and that produce music, and vice versa. Insights from the social considerations may then yield insight into analysis methods.