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Traditional Egyptian fanous lanterns in Cairo, Egypt, celebrating Ramadan. Fanous or Fanoos (Egyptian Arabic: فانوس IPA:, pl. فوانيس [fæwæˈniːs]), also widely known as Fanous Ramadan (Arabic: فانوس رمضان), [1] is an Egyptian folk and traditional lantern used to decorate streets and homes in the month of Ramadan.
Calligraphic design is omnipresent in Islamic art, where, as in Europe in the Middle Ages, religious exhortations, including Qur'anic verses, may be included in secular objects, especially coins, tiles and metalwork, and most painted miniatures include some script, as do many buildings.
14th-century bottle with Chinese-style animals in enamels, Syria or Egypt. During the first centuries of Islamic rule, glassmakers in the Eastern Mediterranean continued to use the Roman recipe consisting of calcium-rich sand (providing the silica and lime) and mineral natron (soda component) from the Wādi el-Natrūn in Egypt, and examples of natron-based Islamic glass have been found in the ...
In Nasrid art, the two basic techniques for creating stucco decoration were carving in situ and casting molds which were then attached to the structure. In situ carving was the most common method initially, but towards the early 14th century, during the reign of Muhammad III , molding became more standard. [ 8 ]
İznik pottery lamp with lotuses c. 1510, similar to four lamps that hung in the mausoleum of Bayezid II in Istanbul In 2000, three 14th-century Mamluk mosque lamps in pristine condition from the collection of Bethsabée de Rothschild sold at Christie's in London for £1,763,750 (US$2,582K), £993,750 (US$1,455K) and £641,750 (US$937K). [ 10 ]
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Andalusi decoration and craftsmanship of this period became more standardized. While Classical inspirations are still present, they are interpreted more freely and are mixed with influences from the Middle East, including ancient Sasanian or more recent Abbasid motifs. This is seen for example in the stylized vegetal motifs intricately carved ...