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This category is for English phrases which were invented by Shakespeare, and older phrases which were notably used in his works. The main article for this category is William Shakespeare . Pages in category "Shakespearean phrases"
Shakespeare introduced or invented countless words in his plays, with estimates of the number in the several thousands. Warren King clarifies by saying that, "In all of his work – the plays, the sonnets and the narrative poems – Shakespeare uses 17,677 words: Of those, 1,700 were first used by Shakespeare."
William Shakespeare (c. 23 [a] April 1564 – 23 April 1616) [b] was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. [3] [4] [5] He is often called England's national poet and the "Bard of Avon" (or simply "the Bard").
Shakespeare added hundreds of new words to the English language, including many commonly used words and colorful expressions that we still use today.
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Shakespeare's poetic genius was allied with a practical sense of the theatre. [17] Like all playwrights of the time, Shakespeare dramatised stories from sources such as Petrarch and Holinshed. [18] He reshaped each plot to create several centres of interest and show as many sides of a narrative to the audience as possible.
In these sonnets, Shakespeare's speaker several times suggests that the child will be a copy of the young man, who will therefore live on through his child. The actual historical identity, if any, of the young man is a mystery; two candidates that have received the most consideration are Henry Wriothesley, 3rd Earl of Southampton ; and William ...
The sonnets of Petrarch and Shakespeare represent, in the history of this major poetic form, the two most significant developments in terms of technical consolidation—by renovating the inherited material—and artistic expressiveness—by covering a wide range of subjects in an equally wide range of tones. Both writers cemented the sonnet's ...