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A. After all, tomorrow is another day; Ah, phooey! All right Mr. DeMille, I'm ready for my close-up; All those moments will be lost in time, like tears in rain
The production of Beyond the Forest experienced several director-star contretemps that influenced Vidor's and Davis' evaluation of the film upon its completion. [5]Film historian David Melville suggests that Warner Brothers offered Bette Davis, the aging seventeen-year veteran of the studio, the role of Rosa Moline anticipating she would reject the project, a move that would allow executives ...
You might be surprised by how many popular movie quotes you're remembering just a bit wrong. 'The Wizard of Oz' Though most people say 'Looks like we're not in Kansas anymore,' or 'Toto, I don't think
Chelsea Candelario/PureWow. 2. “I know my worth. I embrace my power. I say if I’m beautiful. I say if I’m strong. You will not determine my story.
The plots of female buddy films can share the same concept of male buddy films—opposite personalities go on an adventure or journey of sorts—or they can concern an ensemble group of women. Female buddy films gained popularity in the 1960s from the emergence of the woman's film and the male buddy film genres. [1]
In a culture obsessed with being “interesting,” embracing dullness is a bit of a wink — a lighthearted countercultural stance in which the joke is on the mainstream.
Ingrid Bergman was born on 29 August 1915 in Stockholm, to a Swedish father, Justus Samuel Bergman, [7] and a German mother, Frieda "Friedel" Henriette Auguste Louise Bergman (née Adler), who was born in Kiel.
That Woman Opposite (U.S. title: City After Midnight; also known as Woman Opposite) is a 1957 British crime drama, directed by Compton Bennett and starring Phyllis Kirk, Dan O'Herlihy and William Franklyn. [1] The screenplay, by Bennett, was adapted from John Dickson Carr's 1942 novel The Emperor's Snuff-Box.