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Shivaji was born in the hill-fort of Shivneri, near Junnar, which is now in Pune district.Scholars disagree on his date of birth; the Government of Maharashtra lists 19 February as a holiday commemorating Shivaji's birth (Shivaji Jayanti).
Shiva-Bharata, a poem by Shivaji's court poet Paramananda, presents Shivaji as a divine incarnation. The poem also claims that during her pregnancy, Jijabai had cravings indicative of a child with royal and martial characteristics, such as to sit on a golden throne and to lead men to battle victories.
The union of Purusha (Shiva) and Prikriti (Shiva's energy, Shakti) generates the universe, an idea also manifested in the union of the Linga of Shiva and Yoni of Devi creating the cosmos. [57] [58] [59] The Mahabharata lauds this form as the source of creation. [46] Ardhanarishvara also suggests the element of Kama or Lust, which leads to ...
Shiva is depicted in a seated position with his legs crossed and holding a trishula in his left hand. Shiva's left foot is thrown over the knee of his right leg. The facial expression is detached, meditative. [5] The statue has a distinctive copper shade. There are two vantage points that offer a panoramic view of the surrounding countryside.
Shiva, a Hindu deity; Amil Shivji, Indian-Tanzanian filmmaker, son of Issa; Haji Mohammed Allarakha Shivji (1878–1921), Indian writer and journalist; Issa G. Shivji (born 1946), Indian-Tanzanian author and academic; Jairam Shivji (1792–1866), Indian merchant and banker from Kutch, India
Shiva then appeared as a second Jyotirlinga and cursed Brahma, telling him that he would have no place in the ceremonies. The Jyotirlinga is the supreme indivisible reality from which Shiva appears. Jyothirlinga shrines commemorate this time when Shiva appeared. [3] [4] It was believed that there were originally sixty-four jyotirlingas.
The name Kāla appears in the Shiva Sahasranama, where it is translated by Ram Karan Sharma as "(the Supreme Lord of) Time". [256] Bhairava "terrible" or "frightful" [257] is a fierce form associated with annihilation. In contrast, the name Śaṇkara, "beneficent" [36] or "conferring happiness" [258] reflects his benign form.
Ravananugraha or Ravananugraha-murti ("form showing favour to Ravana" [1]) is a benevolent aspect of the Hindu god Shiva, depicted seated on his abode Mount Kailash with his consort Parvati, while the rakshasa-king (demon-king) Ravana of Lanka attempts to uproot it.