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William Holman Hunt, The Finding of the Saviour in the Temple. This event is frequently shown in art, and was a common component in cycles of the Life of the Virgin as well as the Life of Christ. In early Christian depictions, Jesus is usually shown in the center, seated on a raised dais surrounded by the elders, who are often on stepped benches.
Christ in Glory with Saint Peter and Saint Paul; Christ in Glory with Saints and Odoardo Farnese; Christ in the Desert; Christ in the House of Martha and Mary (Velázquez) Christ in the House of Martha and Mary (Vermeer) Christ on the Mount of Olives (Caravaggio) Christ on the Mount of Olives (Paul Gauguin) Christ Pantocrator (Palladas)
Art critic Friedrich Pecht wrote that Liebermann's treatment of the biblical narrative was purely humorous and without religious reverence – a witty child who makes fun of a few old people. In his view, Liebermann portrayed Jesus as "the ugliest, snobby Jewish boy imaginable" and the rabbis as a "pack of the sleakiest haggling Jews". [9]
Pages in category "Paintings of the Presentation of Christ at the Temple" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes .
Driving of the Merchants From the Temple by Scarsellino. In the narrative, Jesus is stated to have visited the Temple in Jerusalem, where the courtyard was described as being filled with livestock, merchants, and the tables of the money changers, who changed the standard Greek and Roman money for Jewish and Tyrian shekels. [6]
The face that Neave constructed suggested that Jesus would have had a broad face and large nose, and differed significantly from the traditional depictions of Jesus in renaissance art. [82] Additional information about Jesus' skin color and hair was provided by Mark Goodacre , a New Testament scholar and professor at Duke University.
The gospels tell of Jesus' followers and relatives, as well as his prosecutors and assorted spectators, attending the crucifixion at Golgotha. In van Eyck's panel the former are represented in the foreground, while the latter, including High Priests and Temple Elders, are shown in the mid-ground. [20] Death of Christ on the cross.
The focal point of the painting is in the center panel, which portrays a group of interlocking figures arranged in an elliptical shape around the lifeless body of Jesus. St. John, dressed in a scarlet cloak and with one foot on a ladder for support, is the primary figure supporting the weight of Jesus.