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Lucia of Syracuse (c. 283 – 304 AD), also called Saint Lucia (Latin: Sancta Lucia) and better known as Saint Lucy, was a Roman Christian martyr who died during the Diocletianic Persecution.
S. Saint Anthony Abbot and Saint Lucy; Saint James and Saint Lucy Predella; St John Chrysostom Altarpiece; Saint Lucy Before the Judge; Saint Nicholas in Glory
The choice of subject was driven by the fact that Saint Lucy was the patron saint of Syracuse and had been interred below the church. [2] The subject was unusual, but especially important to the local authorities, who were eager to reinforce the local cult of Saint Lucy, which had sustained a setback with the theft of her remains during the ...
The titular painting on top of the high altar depicts the Immaculate Conception with Saint Paul, Saint Lucy, Saint Vincent Ferrer and Saint Clare. Beneath the high altar, one can find the corpse of St Lucian the Martyr, brought from the cemetery of Priscilla in Rome. [3] The side altars are dedicated to St Francis of Paola and St Paschal Baylon.
The predella included panels with scenes of the saints of the main composition, and a central, double-size Annunciation: the Stygmata of St. Francis and John Baptist in the Desert are currently in the National Gallery of Art in Washington, the Annunciation and The Miracle of St. Zenobius are in the Fitzwilliam Museum of Cambridge, and the Martyrdom of St. Lucy is in the Berlin State Museums.
An inscription in Syracuse dedicated to Euskia mentioning St. Lucy's Day as a local feast dates back to the fourth century A.D., which states "Euskia, the irreproachable, lived a good and pure life for about 25 years, died on my Saint Lucy's feast day, she for whom I cannot find appropriate words of praise: she was a Christian, faithful, perfection itself, full of thankfulness and gratitude". [9]
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Master of the Legend of Saint Lucy (fl. 1480–1510) was an unidentified Early Netherlandish painter from Bruges. His name comes from an altarpiece in the church of Saint James in Bruges, dated 1480, depicting three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand.