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Many critics believe that Bradstreet was a woman who pushed the boundaries of her religion. Fortunately for her, she did not suffer negative consequences like Anne Hutchinson, who was also a Puritan writer of her time. [3] Other writers such as Ann Stanford and Samuel Eliot Morison have also critiqued The Tenth Muse Lately Sprung Up in America.
Anne was born in Northampton, England in 1612, the daughter of Thomas Dudley, a steward of the Earl of Lincoln, and Dorothy Yorke. [6]Due to her family's position, she grew up in cultured circumstances and was a well-educated woman for her time, being tutored in history, several languages, and literature.
Bradstreet feels guilty that she is hurt from losing earthly possessions. It is against her belief that she should feel this way; showing she is a sinner. Her deep puritan beliefs brought her to accept that the loss of material was a spiritually necessary occurrence. She reminds herself that her future, and anything that has value, lies in heaven.
John Milton (1608–1674), most famous for his epic poem "Paradise Lost" (1667), was an English poet with religious beliefs emphasizing central Puritanical views.While the work acted as an expression of his despair over the failure of the Puritan Revolution against the English Catholic Church, it also indicated his optimism in human potential.
Title page of second (posthumous) edition of Anne Bradstreet's poems, 1678. As England's contact with the Americas increased after the 1490s, English explorers sometimes included verse with their descriptions of the New World up through 1650, the year of Anne Bradstreet's "The Tenth Muse", which was written in America (most likely in Ipswich, Massachusetts or North Andover, Massachusetts) and ...
The opposite is a prologue—a piece of writing at the beginning of a work of literature or drama, usually used to open the story and capture interest. [2] Some genres, for example television programs and video games , call the epilogue an "outro" patterned on the use of "intro" for "introduction".
Du Bartas was also an early influence on Anne Bradstreet; one of her earliest dated works is her elegy ‘In Honour of Du Bartas. 1641’. The prefatory materials to The Tenth Muse (1650) make numerous references to Bradstreet's enthusiasm for du Bartas, including Nathaniel Ward's condescending remark that Bradstreet is a 'right Du Bartas girle'.
"Contemplations" is a 17th-century poem by English colonist Anne Bradstreet. The poem's meaning is debated, with some scholars arguing that it is a Puritan religious poem while others argue that it is a Romantic poem .