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The image of Krishna-Radha gave the Rajasthani painters an eternal source of sensuous delight, an ideal of the shringara rasa, and a way to transcend beyond the material into the spiritual. [33] [34] Mewar paintings developed a sensitive portrayal of Hindu myths and legends. Sahibdin, a Muslim artist, interestingly pioneered the Mewar idiom. [35]
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Thanjavur painting is a classical South Indian painting style, originating in the town of Thanjavur (anglicized as Tanjore) in Tamil Nadu.The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in ...
Krishna gazes directly into Radha's face. Radha shyly averts her gaze. It is night, the time of trysts, and the dark monsoon sky momentarily lights up with a lightning flash indicating the moment's electric passion. Lightning is a standard symbol used in Rajput and Pahari miniatures to symbolize spiritual bliss and excitement.
Krishna, the favorite incarnation of Vishnu, is a form of the god sent to earth to release men from the power of evil forces. Vaishnavism and devotionalism become so intertwined "that such non-Vaishnavite, bhakti texts as the Ragamala often show Krishna as the male figure" [40] and in popular imagination he became the archetypal Beloved. [40]
In loving Krishna, Radha violates the basis of caste, showing no care for the realities of social structures. Love consumed her to extent that once having fair complexion, Radha turned herself into Krishna's dark color. Chandidas used the word "fire" as synonym for Radha's love towards Krishna. The Radha of Chandidas is favored by Gaudiya ...
Radha-Krishna (IAST rādhā-kṛṣṇa, Sanskrit: राधा कृष्ण) is the combined form of the Hindu god Krishna with his chief consort and shakti Radha.They are regarded as the feminine as well as the masculine realities of God, [7] in several Krishnaite traditions of Vaishnavism.
Jayadeva worshipping Krishna and Radha. The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it.