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The theme or topic refers to the issues or concepts that the film revolves around; for example, the science fiction film, sports film, and crime film. The mood is the emotional tone of the film, as implied in the names of the comedy film , horror film , or ' tearjerker '.
The audience expects films to appear like real life, and be shot according to a certain style. Classical Hollywood narrative film styles and the conventions of other genres help to guide the audience in what to expect. [2] Some film makers use styles that challenge these conventions.
Conventions: Each word in a film title takes an initial capital, except for articles ("a", "an", "the"), the word "to" as part of an infinitive, ...
Dramatic conventions are the specific actions and techniques the actor, writer or director has employed to create a desired dramatic effect or style.. A dramatic convention is a set of rules which both the audience and actors are familiar with and which act as a useful way of quickly signifying the nature of the action or of a character.
A documentary film is a film story concerning factual topics (i.e. someone or something). These films have a variety of aims: to record specific events and ideas; to inform viewers; to convey opinions and to create public interest. A number of common techniques or conventions are used in documentaries to achieve these aims.
Documentary mode is a conceptual scheme developed by American documentary theorist Bill Nichols that seeks to distinguish particular traits and conventions of various documentary film styles. Nichols identifies six different documentary 'modes' in his schema: poetic, expository, observational, participatory, reflexive, and performative.
This is a list of notable science fiction conventions, as distinct from anime conventions, comic book conventions, furry conventions, gaming conventions, horror conventions, and multigenre conventions. In the "type" column, "general" means the entire science fiction and fantasy culture; "literature", "media", etc. modify that.
Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication. However, structuralist film theory differs from linguistic theory in that its codifications include a more apparent temporal aspect.