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The Tamarians' language has been compared to the modern use of Internet memes and image macros. [9] The paper Darmok and Jalad on the Internet by Kristina Šekrst builds upon the idea and compares the Tamarian language to Lakoff's and Mark Johnson's theory of metaphors from Metaphors We Live By and Women, Fire, and Dangerous Things. [10]
A tawiz (Urdu: تعویز, Hindi: तावीज़), [1] muska , ta'wiz, or taʿwīdh (Arabic: تعويذ) is an amulet or locket worn for protection common in South Asia. [2] Tawiz is sometimes worn by Muslims with the belief of getting protection or blessings by virtue of what is in it. It is intended to be an amulet.
Hakīm or Hakeem (Urdu: حکیم, Hindi: हकीम) is also used for practitioner of Eastern medicine, [1] those versed in indigenous system of medicines. [ 2 ] Hakīm was also used more generally during the Islamic Golden Age to refer to polymath scholars who were knowledgeable in religion, medicine, the sciences , and Islamic philosophy .
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The Muslim social is a film genre in Hindi cinema that focuses on the depiction of Islamic culture and traditions in India. It flourished in the 1950s and 1960s and lasted till the early 1980s. These films are characterised by the use of ghazals, qawwalis, Urdu poetry, and other musical forms associated with Islamic cultural heritage. [1]
Muslim tradition maintains that the Zabur mentioned in the Quran is the Psalms of Dawud (David in Islam). [ 1 ] The Christian monks and ascetics of pre-Islamic Arabia may be associated in pre-Islamic Arabic poetry with texts called mazmour , which in other contexts may refer to palm leaf documents . [ 2 ]
Hafeez Jalandhari was born in Jalandhar, Punjab, British India on 14 January 1900 into a Punjabi Muslim family. [1] His father, Shams-ud-Din, was a Hafiz-e-Qur'an.Jalandhari initially studied in a mosque school and later joined a conventional local school.
While ghazal originated in Arabia evolving from qasida, some of the common features of contemporary ghazal, such as including the takhallus in the maqta ', the concept of matla', etc., did not exist in Arabic ghazal.